Ableton Live 9 Standard review

Snap-to-grid for MIDI notes is much better implemented than before. Small timing adjustments ignore the currently prescribed grid to allow free movement. Go beyond one grid square, however, and snap-to-grid kicks into action. The new position can either be on a grid line or it can maintain its relative grid offset. Conveniently, there’s no need to designate this in advance with a global switch. Such things might seem like minor improvements, but when you’re moving MIDI notes for hours on end, small changes can make a huge difference.

There are similar workflow improvements throughout the software. Automation envelopes are quicker to create and edit, and there’s support for curved paths between nodes. It’s also possible to save automation data as part of a loop in the performance-oriented Session View rather than just in the more conventional Arrangement View. This means that any changes to effects settings become part of the loop itself. It’s even possible to make the automation repeat asynchronously with the loop to create interesting counter-rhythms.

The EQ Eight effect has been overhauled, with an improved processing algorithm and the ability to adjust multiple bands simultaneously. The Compressor now has a scrolling waveform to show gain reduction over time. There’s also a new Glue Compressor effect that uses analogue hardware modelling; its controls and sound closely resemble the classic Urei 1176 Peak Limiter.

The deceptive first impression of Live 9’s new features is typical of Ableton’s approach to software design. Features such as Audio-to-MIDI conversion and effects automation would ordinarily be worthwhile workflow improvements. Here, they transcend their utilitarian functions to become highly creative tools that unlock new ways of making music.

It’s odd that Live still lacks any form of Autotune-style vocal pitch manipulation, and this is one area where Cubase has a strong advantage. Another area is Cubase’s tools for handling multiple takes, and we still find its nuts-and-bolts editing functions faster and more precise. However, nothing else matches Live’s ability to inspire users to try new ideas. This alone makes it a huge success.