Olympus Stylus TG-2 review
A rugged, waterproof camera with some useful tricks for macro and low-light photography
Specifications
1/2.3in 11.8-megapixel sensor, 4.0x zoom (25-100mm equivalent), 230g
Photo quality should be the TG2’s strongest point, but while it’s by no means bad, it didn’t quite live up to our expectations. Well-lit scenes looked sharp and vibrant, but subtle textures were smeared by noise reduction. It’s by no means disastrous – and it’s a common problem for compact cameras – but we’d hoped for better from this 12-megapixel back-illuminated sensor. The Canon PowerShot D20 https://www.expertreviews.com/uk/digital-cameras/1296115/canon-powershot-d20 (see Shopper 301) gave better results in bright conditions. We also encountered problems with blooming around bright objects in the frame, although this may have been down to oily fingerprints on the window in front of a lens – a common problem for waterproof cameras that don’t have a lens cap.
There’s plenty of sharp detail and vibrant colour in this shot
This one is less successful, with a smudged appearance to the grass
There’s a strange, ethereal glow around these flowers, possibly caused by dirt on the lens
The bright lens came in useful in low light, with its f/2 aperture capturing almost four times as much light as the Canon D20’s f/3.9 lens. That’s only when both cameras were set to the wide-angle end of their zooms, though. The advantage was lost as we zoomed in, with the TG-2’s f/4.9 maximum aperture slightly darker than the D20’s f/4.8. Our indoor test shots were generally up to scratch, though, with presentable results up to ISO 800 letting us shoot in ambient sunlight without having to resort to the flash.
The wide-aperture lens helps to keep the ISO speed down in low light, giving smooth, noise-free skin tones in this shot
There’s a fair amount of smeary noise reduction at ISO 800, but this is nevertheless an excellent result
We didn’t have an opportunity to take the TG-2 for a dip in the sea, but we’d anticipate that the f/2 lens should come in useful in gloomy submarine environments. The Canon PowerShot D20 delivered better image quality in bright light, though, and the Panasonic Lumix DMC-FT5 has a superior video mode, more reliable GPS and lots of Wi-Fi functions. None of them is a runaway winner, so we’ll have to leave you to pick your favourite.
Basic Specifications | |
---|---|
Rating | **** |
CCD effective megapixels | 11.8 megapixels |
CCD size | 1/2.3in |
Viewfinder | none |
Viewfinder magnification, coverage | N/A |
LCD screen size | 3.0in |
LCD screen resolution | 610,000 pixels |
Articulated screen | No |
Live view | Yes |
Optical zoom | 4.0x |
Zoom 35mm equivalent | 25-100mm |
Image stabilisation | optical, sensor shift |
Maximum image resolution | 3,968×2,976 |
File formats | JPEG; QuickTime (AVC) |
Physical | |
Memory slot | SDXC |
Mermory supplied | 22MB internal |
Battery type | Li-ion |
Battery Life (tested) | 350 shots |
Connectivity | USB, AV, micro HDMI |
Body material | aluminium |
Lens mount | N/A |
Focal length multiplier | N/A |
Kit lens model name | N/A |
Accessories | USB cable |
Weight | 230g |
Size | 67x116x29mm |
Buying Information | |
Warranty | one year RTB |
Price | £314 |
Supplier | http://www.amazon.co.uk |
Details | www.olympus.co.uk |
Camera Controls | |
Exposure modes | program, aperture priority |
Shutter speed | auto |
Aperture range | f/2-8 (wide), f/4.9-18 (tele) |
ISO range (at full resolution) | 100 to 6400 |
Exposure compensation | +/-2 EV |
White balance | auto, 5 presets, manual |
Additional image controls | shadow adjust |
Manual focus | No |
Closest macro focus | 1cm |
Auto-focus modes | multi, centre, face detect, tracking |
Metering modes | multi, centre, face detect |
Flash | auto, forced, suppressed, slow synchro, red-eye reduction, LED lamp |
Drive modes | single, continuous, self-timer, HDR, panorama |