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Panasonic Lumix DMC-GF5 review

Our Rating :
Price when reviewed : £519
inc VAT

Impressively small and light, but the slim lens raises the price too much for what is ultimately a point-and-shoot camera

Specifications

17.3x13mm 12.0-megapixel sensor, 3.0x zoom (28-84mm equivalent), 362g

http://www.jessops.com
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Autofocus performance was extremely quick. This is one area where Panasonic still holds a comfortable lead over Sony’s NEX cameras. Rapid-fire shooting in the Single drive mode started enthusiastically, providing just 0.6 seconds between shots, but the camera couldn’t save them as fast is it captured them. After four frames, it slowed to 1.8 seconds between shots. Continuous shooting started at 4.1fps, but slowed to 2.1fps after 13 frames. That’s respectable, but the Sony NEX-F3 was a little faster.

CSCs usually excel for low noise thanks to their large sensors, but the GF5 is lagging behind the pack for noise performance. The Panasonic DMC-GX1 exhibited less noise, despite its higher resolution, and Sony’s NEX cameras exhibited far less.

Panasonic Lumix DMC-GF5 sample shot
Heavy noise reduction makes these indoor skin textures look like they’re out of focus – click to enlarge

This had obvious implications when shooting in low light, with a distinct lack of fine details at ISO 1600 and some ugly noise-reduction artefacts at ISO 3200 and above. However, it was impossible to escape the clutches of noise reduction, even in brightly lit scenes, with a smudged appearance to fine details even at the slowest ISO 160 setting. We have no qualms about the relatively modest 12-megapixel resolution of this sensor, but it really should be managing lower noise than this. Panasonic made the wrong decision by not including the GX1’s sensor here.

Panasonic Lumix DMC-GF5 sample shot
Noise can be an issue even in bright light, with noise-reduction processing glossing over details – note how much more shadow detail we were able to get from the raw file – click to enlarge

The GF5 is expensive, but comparisons with the Sony NEX-F3 are fairer when the GF5’s paired with its bulkier zoom lens. This puts both cameras on a level playing field for both size and price. Then again, the GF5’s compactness is, for us, its strongest attribute. With the bulkier lens, it fails to stand out. Those who want an entry-level CSC should go for the Sony NEX-F3, while those who simply want a high-quality, truly compact camera are better off with the excellent Panasonic Lumix DMC- LX7.

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Basic Specifications

Rating***
CCD effective megapixels12.0 megapixels
CCD size17.3x13mm
Viewfindernone
Viewfinder magnification, coverageN/A
LCD screen size3.0in
LCD screen resolution920,000 pixels
Articulated screenNo
Live viewYes
Optical zoom3.0x
Zoom 35mm equivalent28-84mm
Image stabilisationoptical, in kit lens
Maximum image resolution4,000×3,000
File formatsJPEG, RAW; AVCHD, MPEG-4

Physical

Memory slotSDXC
Mermory suppliednone
Battery typeLi-ion
Battery Life (tested)330 shots
ConnectivityUSB, AV, mini HDMI
Body materialplastic
Lens mountMicro Four Thirds
Focal length multiplier2.0x
Kit lens model nameLUMIX G X VARIO PZ 14-42mm (H-PS14042)
AccessoriesUSB cable
Weight362g
Size67x108x65mm

Buying Information

Warrantyone year RTB
Price£519
Supplierhttp://www.jessops.com
Detailswww.panasonic.co.uk

Camera Controls

Exposure modesprogram, shutter priority, aperture priority, manual
Shutter speed60 to 1/4,000 seconds
Aperture rangef/3.5-22 (wide), f/5.6-22 (tele)
ISO range (at full resolution)160 to 12800
Exposure compensation+/-3 EV
White balanceauto, 5 presets with fine tuning, manual, Kelvin
Additional image controlscontrast, saturation, sharpness, noise reduction, i.Dynamic, i.Resolution, Shading Comp, colour space
Manual focusYes
Closest macro focus20cm
Auto-focus modesmulti, flexible spot, face detect, tracking
Metering modesmulti, centre-weighted, centre, face detect
Flashauto, forced, suppressed, slow synchro, red-eye reduction
Drive modessingle, continuous, self-timer, AE bracket, WB bracket