Sony Alpha A380L review

The A380 is in danger of getting lost in Sony’s digital SLR line up, which includes six models at under £1,000. It’s very similar to the A330 but has a 14- rather than a 10-megapixel sensor.

The HDMI output is a major attraction. We never use analogue AV outputs on digital cameras because the quality is so poor, but HDMI is far superior. Sony’s implementation is better than most, allowing you to control the camera’s slideshow function with the TV’s remote control. Slideshow playback over HDMI is at 1,920×1,080 pixels, taking advantage of a Full HD TV’s resolution. The HDMI socket can also stream live view previews, but only at a 720×576 resolution.

With a body-only price that pitches it against Canon’s EOS 500D and Nikon’s D5000, it’s disappointing that the A380 has no video capture, as is the case with all Sony DSLRs. Another disappointment is the relative lack of physical controls. There are no dedicated buttons for white balance or autofocus point, and there’s no exposure lock function at all. An Fn button brings up a menu of six photographic options including autofocus, white balance and metering area, but adjusting these settings requires more button pushes than on other cameras. Most worrying of all is the shape of the handgrip. For reasons that we can’t fathom, it’s around half the height of the camera. The sloped top edge made the camera feel as if it would slip out of our hand.

The quoted 2.5fps continuous speed is nothing to get excited about. We measured 2.3fps in our tests, which continued until the card was full for JPEGs and fell to 1.2fps after 12 shots in RAW mode. With no focus-assist lamp, autofocus was often slow in dim light. However, as with other Sony SLRs, the A380 has a trick up its sleeve to improve its perceived performance. A sensor just below the viewfinder detects when the camera is raised to the eye, and this not only switches off the LCD screen but also instigates the autofocus. As a result, autofocus often gave the impression of being instantaneous. The only downside is that the camera often attempted to focus as we tried to remove the lens cap, sending the cap spinning in our grasp, and forcing us to remember to remove it before switching on.

The A380 failed to impress in our image quality tests. Subtle textures in brightly lit shots were a little vague compared with those from the best cameras at this price. The difference was usually insignificant but it’s interesting to note that this 14-megapixel camera captured no more detail than its 10-megapixel sibling, the A330. Meanwhile, high-ISO shots taken in low light lacked detail, even compared with the A330, and suffered from blotchy noise in shaded areas. With such a long list of reservations, we can’t find any justification for recommending this camera.